Nampeyo's Pottery-Manufacturing Stages

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A Hopi woman sits on the ground in the beginning stages of making a pot.

Nampeyo demonstrating pottery making, Milwaukee Public Museum, 30570, 6640, 6645.

In July 1926, Gila Pueblo Director Harold Gladwin purchased a set of unfired and fired pottery from Nampeyo that was meant to represent different stages in the manufacturing process (ASM #GP-899). The set consists of a mix of shapes and thus does not strictly follow one continuous process from start to finish. Of particular interest is the painted signature on a polished, unfired bowl. Although Gladwin does not mention it, one of Nampeyo’s daughters may well have drawn the Nampeyo name on this bowl for this commissioned set.

Another more-complete set is in the collection of the Milwaukee Public Museum along with photos of Nampeyo at work.


 


 

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black-on-red shallow bowl

Black-on-red shallow bowl, collected 1926. Diameter 21.3 cm. (ASM #GP-899-x-9).

This bowl, which is included in the Nampeyo manufacturing series, is the only example of red ware at ASM recorded as having been made by Nampeyo. It bears a central stylized bird motif common to the late prehistoric Sikyatki waresOne of Nampeyo’s daughters—perhaps Annie, who was known to make black-on-red pottery—could have been the painter of this bowl. 21.3 cm. diameter.

There's clay that's red, yellow clay, but when they fire it turns, it’s red. Not gray clay. It's yellow. It's already yellow in this stage. And that pot is the yellow clay.    Dextra Quotskuyva


Gallery of Nampeyo Pottery | Timeline of Nampeyo's Life
Quotskuyva Family Commentary | A Nampeyo Showcase Home
Additional ASM Pottery with Possible Nampeyo Attribitions